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THE SIXTIES -THE SEVENTIES - THE OLDIES
INTERESTING FACTS ON THE 60'S -70'S ERA.
Spotlighting SIMON AND GARFUNKELThe Way It Was on February 28, 1970
THE TOP FIVE Week of February 28, 1970
1. Bridge over Troubled Water Simon & Garfunkel
2. Thank You (Falettin Me by Mice Elf Again)/ Everybody is a Star Sly & the Family Stone
3. Travelin Band/ Who'll Stop the Rain Creedence Clearwater Revival
4. Hey There Lonely Girl Eddie Holman
5. No Time Guess Who ***************************** In 1969, Paul Simon, his wife Peggy, Art Garfunkel and some other people rented a house for the summer on Bluejay Way in the Hollywood hills. The same house, a few years earlier, had inspired George Harrison to write the Beatle song, "Blue Jay Way." This time around though, it served as a backdrop for the creation of Simon and Garfunkel's greatest hit: the biggest pop record of 1970.
Art was in Mexico for much of the summer, making his acting debut in a Mike Nichols film, Catch 22 (1969). When he returned, Paul presented him with a tune written in his absence -- "Bridge Over Trouble Water." Surprisingly, Art said he didn't want to sing the song, and suggested that Paul do it instead. Paul wouldn't hear of that, and later regretted "giving the song away." In concert, Art wound up singing the song solo, with Paul sitting, brooding, off to one side. It was that kind of resentment -- ironically, over a song of unity -- that lead to their break-up a short time later.
By that point, Simon and Garfunkel had been stars for more than four years, and were tiring of the grind. From September to October, they taped an acclaimed TV special, Songs of America, which CBS telecast November 30. In October, they embarked on yet another concert tour, which kept them on the road and out of the studio until mid-December. When they finally did begin recording, they were, in Paul's words, "totally exhausted." But somehow they came through with Bridge Over Troubled Water, the best album they ever made.
The title track started out as a simple two-verse melody, written by Paul in the key of G. As Art's key was E-flat, the chords had to be transposed, and were by Jimmy Haskell (who later picked up a Grammy as "co-arranger"). Another musician, soon to be a founding member of Bread, was hired to play piano: Larry Knechtel. "I want a gospel kind of feel," Paul said, and over a four-day period, Larry honed the tune in exactly that manner. Eventually, his part of the song became so elongated that, in the studio, Paul decided to tack on a third verse. Later, Paul would point out how you could "clearly hear" the addition, because "it didn't sound at all like the first two verses."
The piano part done, Joe Osborne then played two bass lines, which were mixed in. Next, vibes were added to make the second verse "ring a little bit." After that came the drums, recorded in an echo chamber with tape reverb to give an afterbeat effect.
Paul hired an outsider to write the string arrangement, and mailed a copy of the rough mix on a demo tape. Apparently the vocal work on that tape was a little garbled, because the sheet music came back entitled "Like a Pitcher of Water." Garfunkel's name was also misspelled. Paul rejected that arrangement and demanded that it be completely rewritten.
All of the above was completed in Los Angeles. Simon and Garfunkel stopped for Christmas and then went to New York, where Artie spent several days on vocals. In all, "Bridge" took about two weeks to record, not counting the final mix-down.
The Bridge Over Troubled Water album was supposed to have twelve tunes on it. However, Paul and Artie fought over the final cut. Simon wanted to include another of his songs, while Garfunkel insisted on a Bach chorale. Finally, Paul threw up his hands and ordered the album released "as is," with only eleven tracks. Simon and Garfunkel then split, each taking a long and separate vacation.
The single version of "Bridge" broke in early February 1970, and spent six weeks at the top of the charts. It was gold by March, platinum by April, and by the end of the year had sold over five million copies. The album was number one simultaneously, and by 1975 had sold more than ten million copies. It's still one of the best-selling albums in music history.
Collectively, as an album and 45, "Bridge Over Troubled Water" won an unprecedented six Grammy Awards: Single of the Year, Album of the Year, Song of the Year, Best Arrangement, Best Engineering, and Best Contemporary Song. By the end of 1970, Simon had earned over $7 million from the tune. He waited a couple of years, and then launched his own successful solo career.
Buckinghams- Hey Baby They're Playing Our Song.mp3 OLDIES FOREVER!!!!!! -------------------------------------------------------------------------------- Atlanta Rythym Section - I Am So Into You.MP3< _________________________________________________________________________ EDITORIAL NOTE: The "times" were the generator of the the best music we have ever had. Even kids today love this music. They say, "Why can't our music now be like that music was"? We were fearless and bold. We did things our way and we forever will have our music to show it.
Judy,
Wow, Nokie Edwards is one of my idols and I just love emulating his style! I remember playing "Caravan" note for note aka Nokie Edwards style. It was amazing for me to see the video on YouTube. I did not realize that the '65 performance was being taped. Wish him good health.
Jesse
Comment by Judy Whiting on September 7, 2009 at 6:31am
In reply to THE VENTURES. Nokie and Judy Edwards are personal friends of mine. Have been in the studio with them even on their last
venture Late 1990's went to JAPAN WITH THE NEW VENTURES a cd still selling that I had a part of. During the Summer Namm show here
in Nashville Nokie got the LIFE TIME ACHIEVEMENT award at the Ryman from Guitar Magazine. He also was in the same studio he always records in SOUND CONTROL now run by Mark Mosley son of
Andy Mosley. We even had SUSHI delived by a great restaurant here,
it was great to visit with them again and also be back staqe at the RYMAN with them. All of their cd's to me and even now a testimonial
I have and will cherish forever. He gets great joy out of hearing stories about WIPEOUT but man so many others he has done.
Thanks K for posting this and bringing back some great memories.
Judy
Comment by Judy Whiting on September 7, 2009 at 6:24am
to all of my musician and singer friends. new line from gospel song Creativity comes from the soul. The soul is in God's hands.
Enjoy today
Judy
Here is one favorite instrumental group, The Ventures. I saw them at this same performance in Japan. But I remember it was '65 not '66 as somebody uploaded on youtube. I was pleasantly surprised to find it on youtube. I vaugely recall that the Beach Boys also toured Japan and opened for The Ventures that same afternoon.
I loved this song when I was about 11. That's one of the songs that I used to sing when I'd go for a walk.
I used to also love "The End of The World" but I can't sing it anymore or even listen to it because it's so true in how one feels after losing a great love.
Comment by Cheryl Moon on April 29, 2009 at 12:58pm
I used to hear Skeeter Davis on the Friday Night Opry when I was a little girl - My Dad was huge fan :D
Comment by Wendy Vickers on January 11, 2009 at 2:40am
This may be too early for the West Coast, but I just wanted to mention that my radio show "Never Too Old" in which I play 60s and 70s music (mostly 70s this week!), can now be heard Sunday mornings from 8-9 a.m. Central time, streaming live on www.radiofreenashville.org . If you can't hear the show, you can read my blog after the fact at http://wendyvnto.blogspot.com and see what was played and said. Some like the blog better than the show, LOL!
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